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La passione per il delitto 2009

August 31st, 2009 by admin

 La passione per il delitto 2009
 La passione per il delitto 2009

La passione per il delittoL’ottava edizione della rassegna La passione per il delitto si terrà dal 27 settembre all’11 ottobre, come al solito a Villa Greppi, Monticello Brianza (LC).
Anche quest’anno saranno presenti una settantina di autori italiani e internazionali, famosi e meno noti. Tra questi, il 4 ottobre, anche i cinque finalisti del premio Azzeccagarbugli, Luca Poldelmengo, Bruno Morchio, Arturo Buongiovanni, Elisabetta Bucciarelli e Marco Videtta, tra i quali il 2 ottobre al Teatro della Società di Lecco sarà nominato il vincitore per il 2009.

All’interno della manifestazione, oltre agli incontri con gli scrittori, si terranno poi laboratori di scrittura, esercitazioni e corsi, reading e mostre, tutti a partecipazione gratuita.

In qualità di media partner della manifestazione, Thriller Café vi terrà aggiornato su tutti gli eventi; intanto, in attesa di novità, per tutte le informazioni vi rimando al sito ufficiale www.lapassioneperildelitto.it e al blog http://lapassioneperildelitto.blogspot.com/.

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 La passione per il delitto 2009  La passione per il delitto 2009  La passione per il delitto 2009  La passione per il delitto 2009

 La passione per il delitto 2009

When Pirates Become Copyright Cash Cows

August 31st, 2009 by admin

pirate cowIn the past months we’ve seen that the RIAA has won two prominent lawsuits, raking in $1.92 million and $675,000 respectively. At the same time and outside of the spotlights, thousands of file-sharers were contacted in what can only be described as a pirate ‘honey pot.’

Meet Digiprotect, the pirate tracking company that earned its marks tracking down ‘adult’ pirates, but branched out to protecting the works of all sorts of copyright holders. Over the years the company has perfected its pirate tracking tactics to guarantee maximum profits.

Although most companies operating in the same realm try to fly under the radar as much as possible, Digiprotect’s account manager Thomas Hein is more vocal about their business strategies. In an interview he gave a while ago he explains how his company leases copyrights so they can trap potential downloaders.

“We get the legal rights from the companies to distribute these movies to stores, and with these rights we can sue illegal downloaders. Then we take legal action in every country possible, concentrating on the places where such action will be profitable,” Hein says.

So Digiprotect acquires the right to distribute movies, music or games from the rights holders, which they then share on various P2P networks. All they have to do is wait for people to take the bait. If someone tries to download the file they collect the IP-address and initiate legal action through one of their befriended law firms.

That is, if it’s profitable, otherwise Digiprotect can’t afford to protect the copyright holder’s rights, as Hein explains.

“No one working for DigiProtect has a fixed salary. If we make money, everybody makes money. If we don’t, nobody does. This means the lawyers, sales people and customers. It’s all about how much money can be recouped and then sharing it.”

Indeed, it’s all about the money.

“Our success rate is high enough to make good money for everybody,” Hein says, “and it’s also high enough to deter people from stealing content in the future. But we have to be careful about the amount of damages we ask for.”

So how does one go about making ‘good money’? Apparently it’s not only important where you sue people, but also the amount of damages you claim.

“We try to find a figure that covers our costs and pays money to our licensors, which is usually around 500 Euro ($700). Other firms are going for huge amounts of money, and the judges don’t like it. If the judges feel you’re being greedy, they won’t rule in your favor.”

Yes, you’re reading it right. The damage figures are not based on any actual losses, they are carefully calculated to guarantee maximum profits for all parties, except the alleged pirate of course. We can’t help but wonder who the real thieves are here…

Article from: TorrentFreak, check out our new blog at FreakBits.

Band Thanks File-Sharing For Greater Exposure and Success

August 31st, 2009 by admin

greatlakeswimmers Band Thanks File Sharing For Greater Exposure and SuccessWe’re all familiar with the aggressive anti-piracy stances of artists like Prince and bands like Metallica. But file-sharing doesn’t have to be all about conflict, and for many artists it is proving to be a very effective promotional tool to reach people who otherwise may remain oblivious to their art.

One band embracing file-sharing are Toronto-based melodic folk rock group .

In an interview earlier this year, the band’s lead vocalist Tony Dekker said that although he doesn’t share files himself and would prefer it if fans got music from legitimate sources, he’s OK with it since people are “spreading the word about a band they love through file sharing.”

Now, in a recent interview, Dekker recalls their performance at an Ontario music festival in 2008, after which Robert Plant said he liked the band’s songs. Getting noticed by a big name was a boost for them but it was the band’s transformation from playing small venues to becoming more widely known that he says demonstrates the power of a new type of marketing.

Dekker says that this development of the band’s wider exposure is down to the modern equivalent of word-of-mouth promotion. We know it as “file-sharing” and it is this technology that Dekker says has allowed the band to move far beyond its Canadian roots.

“It’s not just something that’s specific to a region anymore. It’s global. It’s global word-of-mouth,” he says.

“People can share ideas, share music files and stuff, and I think it’s good. It’s good for music because you don’t have to scratch far below the surface to find interesting music that doesn’t have the machinery of a big record label behind it,” he concludes.

Indeed, as the anti-filesharing antics of the big labels continues to further alienate them from their artists’ fans, finding good music that they have nothing to do with is becoming more important than ever.

Article from: TorrentFreak, check out our new blog at FreakBits.

Pirate Bay Buyer Has Car and Motorcycle Repossessed

August 31st, 2009 by admin

Pandeya Pirate Bay Buyer Has Car and Motorcycle RepossessedThe proposed sale of is looking less like a business deal and increasingly like some kind of soap opera – and an unbelievable one at that.

Despite ’s investors getting cold feet and aborting their financial support for the purchase of the world’s largest tracker, on Thursday the company’s shareholders (well, at least the four who attended the meeting) all agreed that the purchase could go ahead.

Less optimistically, Peerialism, GGF’s technology partner, said there would be no business between the companies.

Where the money will come from in the end is anyone’s guess, but CEO Hans Pandeya says he will cover the purchase with his own shares, but right now, it appears he doesn’t even have cash to cover his business or personal debts.

Recently, former GGF board member Johan Sellström said that Pandeya owed him in excess of 6 million kronor ($840,000) and said he was suing to get the money back.

Now, according to a new report, last night Pandeya suffered a serious humiliation, one that he’ll find difficult to put down to the “smear campaign” he said had been orchestrated against him recently.

Having failed to pay a debt of some 780,000 kronor ($110,400) owed to the Swedish tax authorities, yesterday enforcement officers ran out of patience and swooped to seize his assets.

Last night a tow truck took away Pandeya’s car and, as you can see from the screenshot from the Aftonbladet site, what appears to be a pretty nice motorcycle.

Goodbye motorcycle

We haven’t got a comment from Hans Pandeya, but if we did he would probably say, “Everything is fine and the purchase of Pirate Bay is going ahead as planned.”

Article from: TorrentFreak, check out our new blog at FreakBits.

Nella sezione True Crime, Un estraneo al mio fianco

August 29th, 2009 by admin

 Nella sezione True Crime, Un estraneo al mio fianco
 Nella sezione True Crime, Un estraneo al mio fianco

ann rule un estraneo al mio fianco Nella sezione True Crime, Un estraneo al mio fiancoNella sezione True Crime, è online una approfondita recensione a Un estraneo al mio fianco, libro in cui Ann Rule, giornalista di cronaca nera ed ex poliziotta con studi in criminologia, racconta di come, senza sapere della sua doppia vita da serial killer, fosse amica di Ted Bundy.
Descrivendo in maniera dettagliata le indagini e i processi a carico di Bundy, e narrando i numerosi momenti in cui la propria vita incrocia nel bene e nel male quella dell’assassino, la Rule cerca di capire la natura ambigua dell’uomo che ha sconvolto l’America negli anni settanta e ottanta.
Un libro che fa da capostipite al genere True Crime, una pietra miliare intrisa di emozione e repulsione, incredulità e rabbia.
La recensione, a cura della nostra collaboratrice Giada Melarini, la potete leggere qui.

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 Nella sezione True Crime, Un estraneo al mio fianco

Anime morte - John Connolly

August 29th, 2009 by admin

 Anime morte   John Connolly
 Anime morte   John Connolly

Anime Morte - John ConnollyIn Italia dobbiamo penare per poter leggere i romanzi di John Connolly. Per rendervi più leggera l’attesa dei suoi prossimi libri thriller, The Reapers e The lovers, Thriller Café recensisce oggi Anime morte, sesto episodio della saga di Charlie Parker.

Titolo: Anime morte
Autore:
Editore:
Anno di pubblicazione: 2008
Traduttore: Stefano Bortolussi
Pagine: 314

Trama in sintesi:

Un’ombra si è insinuata nella vita di Rebecca Clay, un individuo pericoloso, assassino di professione e ossessionato dalla ricerca della flglioletta scomparsa, o di chi potrebbe averla uccisa. E’ a caccia di Daniel Clay, noto psichiatra infantile sospettato di aver abusato dei bambini che aveva in cura e ora svanito nel nulla. Charlie Parker, per proteggere Rebecca, finirà in una indagine piena di ambiguità che lo condurrà fino a Gilead, minuscola comunità religiosa in cui si erano consumati peccati immondi. Mettere insieme i pezzi porterà a una verità segnata dall’amaro sapore della sconfitta.

Resto sempre colpito dalla bravura di Connolly, autore che è capace di scrivere, indipendentemente dal genere scelto. Dalle pagine dei suoi libri non emerge mai un cumulo di sterili fatti, ma l’intensità di sentimenti, stati d’animo, sensazioni. Spesso negative, è vero, ma Charlie Parker è figura complessa e irrimediabilmente invischiata nel marcio del mondo, e le sue storie vivono di dolore e rabbia, di frustrazione e sensi di colpa. Da quando la Morte ha fatto irruzione nella sua vita (Tutto ciò che muore), nella sua esistenza è rimasto un alone nero e indelebile. A volte assume le fattezze dei fantasmi di sua moglie e sua figlia, altre quelli di un senso di giustizia che non sempre viaggia a stretto contatto con la legge, che fa fatica a distinguere tra Bene e Male. Come in Anime morte, in cui Parker giunge addirittura a provare empatia per l’antagonista, , un criminale, ma anche un uomo deciso a tutto pur di vendicare la figlia.
Analogamente ai precedenti capitoli della saga, anche questo romanzo si muove sul filo sottile che separa la tematica thriller (in questo caso legata alla pedofilia - trattata con tatto e documentazione adeguata) a quella sottilmente horror/paranormale, con la presenza nel libro del Collezionista, inquietante individuo già apparso in , racconto incluso nella raccolta Nocturnes ancora inedita in Italia.
L’inserimento di elementi soprannaturali nelle trame è uno degli appunti che più spesso viene mosso a Connolly dai puristi: in un’intervista lui ha risposto che odia le limitazioni e non vede perché non possa infilare nelle storie elementi fuori dal comune. Io, più semplicemente, dico che un buon romanzo è tale qualunque sia il genere, e a mio parere Anime morte è un’ottima lettura, che può essere apprezzata da chi ama Connolly, certamente, ma soprattutto, e questo più conta, da chi ama i libri.


Anime morte, di John Connolly: compralo su IBS!
i6 Anime morte   John Connolly

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 Anime morte   John Connolly

Independent Film Company Responds To BERR Consultation

August 29th, 2009 by admin

Monaghan Media is an independent film company from Manchester, England. They produce films, shorts and other media. They also assist others in the industry by developing ideas and offering production advice and are currently providing graphics for our very own TorrentFreak TV.

James Monaghan from the company has recently taken part in the consultation on file-sharing so has been watching this week’s developments closely. The government has set a deadline for responses to its plans (which include disconnecting alleged file-sharers from the Internet) of 29th September and, like many others, James has responded to the new statement by sending his thoughts in to the consultation. His feelings will resonate with many TorrentFreak readers. Here they are in full;

Monaghan Media Response To Latest Statement

There are an estimated 7 million file-sharers (your figures) in the UK, and you want to reduce that number by 70%. 70% is 4.9 million. A fair trial is fundamental to democracy. To fairly prosecute 4.9 million citizens is an optimistic suggestion when currently Her Majesty’s Court System holds 200,000 criminal cases per year. This would suggest it is going to take 25 years to reduce file-sharing by 70%. This is only dealing with the 70% of today’s file-sharing with no regard to the expected increase of file-sharing. Research suggests that the number of file-sharers increases every day, 63% of people aged 14-24 now admit file-sharing, with 83% of those file-sharing every day.

To prosecute 4.9million people you will also need evidence. No evidence exists. Anywhere.

The ‘evidence’ championed by the failing sector of the media industry – the physical distribution sector – has been proven time and time again to be incredibly flawed. I refer here to the elderly couple who the copyright industry began legal proceedings against for downloading hardcore gay nazi pornographic film ‘Army Fuckers’ (1) among others. I also refer to the law firm Davenport-Lyons, who sent out 15,000 letters telling people to pay a small ‘fine’ (usually about £600) and they’d make a lawsuit against them (for file-sharing) go away. This is what is known as ‘extortion’.

Luckily for the consumers, and all of those of us who enjoy freedom from criminals, Davenport-Lyons were quickly picked up by BBC’s Watchdog program, and promptly disappeared.

I note though, that in today’s (25th August 2009) response, you don’t mention a fair trial. In fact you don’t mention any opportunity for those accused with this flawed and faulty evidence to defend themselves. Which rather gives the impression that there will be no opportunity for the accused to defend themselves. What you do say is this:

“…the previous proposals, whilst robust, would take an unacceptable amount of time to complete in a situation that calls for urgent action…”

So what you’ve stated, is that it is impossible for your draconian anti-file-sharing measures to be implemented fairly. Which is correct. What this means, is that this route of anti-file-sharing legislation, the ‘criminalise-7-million-of-your-citizens’ route is wholly unfeasible, impossible to implement without massive cost to the tax-payer, and impossible to implement without massive damage to the progress of the UK’s creative industries. What this does not mean is that instead of fair trials and the assumption that the accused are innocent until proven guilty, everyone should be presumed guilty until they are proven innocent. This is perverse as the accused would not then have the opportunity to be proven innocent.

In my previous contribution to this consultation, I briefly touched upon the fact that the industry has never been able to show any loss, financial or otherwise, has been caused by file-sharing. I’ve gone into a little more detail here, which shows, with numbers, evidence, and references, (rather than the usual hearsay provided by the industry) to show that there isn’t a financial loss to any of the most downloaded films this year (so far).

You’ll note that all of the top ten most downloaded films so far this year (3) are all incredible commercial successes, each making hundreds of millions of pounds. Watchmen, the most downloaded film with 16.9 million illegal downloads, still made $185,248,060. How can anyone argue that file-sharing has caused it a financial loss? Benjamin Button was the second most downloaded film so far, being downloaded 13.1 million times illegally. It made $332,860,689. A financial loss? I think not.

What we are seeing here, is the end of one type of business: the physical distribution of digital products. We are in a world where DVDs are old technology, in less than ten years Blu-ray disks will go the same way as LPs, as tape cassettes, as VHS tapes, and as DVDs. The internet however, has outlived the DVD. And it will outlive the Blu-ray disk. And it will outlive whatever format ‘succeeds’ the Blu-ray disk. The internet is here to stay. What we are seeing in the Creative Industry is a very small sector (distribution), which makes massive money from a system which is made redundant by the internet.

It is not the responsibility of the government, of the ISPs to prop up a failing business. If a business is failing, it is the responsibility of that business to look at itself, at its actions and rethink its operations in order to save itself.

It is wholly unfeasible to enforce any rule against filesharers, and impossible, literally impossible to enforce according to law.

I reiterate the statement I made in my first contribution to this consultation, the majority of my audiences watch my films over the BitTorrent system, a system so revolutionarily brilliant that it means I, an independent film-maker, can distribute a film in full High Definition to hundreds of millions of viewers with absolutely no cost incurred to me, where normally global film distribution costs several tens of millions of pounds. I think it is acceptable to say then, that my company and I are at the forefront of the industry.

As someone who uses file-sharing systems, not only to gain access to media which I never could’ve before, but also to distribute my own contributions to the UK’s Creative Industry, I am utterly shocked and appalled by the lengths to which your government will go to make my audiences, my peers and myself criminals.

This is not the end of the creative industry. I can say this with great confidence, as someone working in the industry. The industry is currently undergoing a change, a natural change, a change that it must undergo. Although this is not the end of the creative industry, it is the end of a disgusting sector of the industry which has been a parasite on the industry for the past half-century, milking it for as much money as it can, promoting false inflation of the rest of the industry only to increase its own profits.

The criminals here are not the teenagers downloading films and music, but the global corporations that extort money from artists and consumers alike, and who operate in a manner not unfamiliar with sinister global criminal networks.

It is the remit of democratically elected Government to protect the citizens, film-makers, and business-owners from the failing business model which threatens freedom, civil liberty, and creative business’ economic future.

Finally, I take this quote from your statement today:

“…As ever we would need to ensure any such measure fully complied with both UK and EU legislation…”

Disconnecting people from the internet does not fully comply with EU legislation. In fact it directly contravenes EU legislation. I am referring to amendment 138/46 which was adopted on the 6th May 2009 in response to French attempts to implement a system almost exactly the same as the one proposed here. A system which was declared unconstitutional by the French High Court. You will be aware that amendment 138/46 declared that access to the internet was a fundamental human right.

Not only do your proposals directly contravene European Law, but the certainty of wrongful sanctions being taken against citizens opens the government up to legal action. The fact that cutting off an entire household’s internet punishes everyone in that household and not just the ‘accused file-sharer’ is near-certain to breach the government’s ‘Every Child Matters’ directive where children are punished for others’ actions. The probability of cutting off the internet of those who need the internet to survive, the long-term sick, for example, or the disabled, further opens up the government to attack.

Is this the route that my government wants to pursue? Or should the government perhaps listen to its’ citizens’ outrage and stop neglecting them in favour of the power and massive wealth offered by the global corporations who’s only motivation is furthering said power and wealth?

Yours faithfully,
James Monaghan

Monaghan Media

Article from: TorrentFreak, check out our new blog at FreakBits.

Pirate Bay Clone Threatened By Romanian RIAA

August 27th, 2009 by admin

Around 10 days ago, an almost complete copy of ’s entire site became available for download via BitTorrent. The idea behind the upload was simple – if the proposed sale to GGF didn’t go the way TPB fans would like, the site could be reinstated in the original style.

Then TorrentFreak got word from Alex, the admin of . He had downloaded the archive and spent quite some time putting all back together. “I made an online copy of ,” he told us. The news flashed around the world and was covered by hundreds of news outlets – had been successfully cloned.

Then yesterday, quite unexpectedly, TorrentFreak received an email from (Asociatia Industriei Muzicale din Romania) – Romania’s answer to the RIAA.

We are Music Industry Association of Romania, and we represent the local labels for both romanian and international content. The website .org ( clone) is hosted in Romania and we already started the legal action against it.

Immediately we contacted Alex and asked him if he had a comment. He told us he knew of the legal action, but only because he’d read about it on a local news site.

According to , last Friday they contacted ’s host and informed them about “illegal activity” and the ISP said it would pass on the notification.

It is worth noting that the backup of available via does not offer the full structure of . It is just an archive of TPB’s .torrent files and makes no attempt to track any of the torrents with its own tracker – that task is still being carried out by .

At the time of writing, .org is intermittently available and .net, the location for the TPB backup, is unavailable.

Article from: TorrentFreak, check out our new blog at FreakBits.

Mininova Ordered to Remove All ‘Infringing’ Torrents

August 27th, 2009 by admin

mininova Mininova Ordered to Remove All ‘Infringing’ TorrentsMininova were sued this spring by , an outfit which protects the rights of several large entertainment industry corporations.

Today, the judge ruled that the world’s largest BitTorrent indexer has been ordered to clean up its site and remove all torrents that link to infringing content.

’s intention was not to shut down the site. Instead, the organization called for a filter based on infringing keywords and possibly digital fingerprints to guarantee that the rights holders have sufficient means to protect their content.

The court agreed with ’s assessment that is not doing enough to protect the rights of copyright holders, and ordered the site to remove all torrent files that link to infringing content within three months, or pay a penalty of 1000 Euro per infringing torrent with a maximum of 5 million euros ($7 million).

’s notice and takedown policy that allows copyright holders to remove infringing torrents is not sufficient, the court said. Interestingly, the recently announced copyright filter that launched together with the Motion Picture Association (MPA) wasn’t mentioned in the verdict.

The court did not agree with ’s defense that it is impossible to moderate all torrents that are uploaded to the site. It further said that is encouraging its users to download copyrighted material, helped by the several moderators that the site has in place.

The moderators keep the site clean and ‘family friendly’ by removing torrents that link to adult content, viruses and fake files. They do this proactively and in response to user feedback, the court concluded, pointing out that they should also be able to moderate torrents that link to copyrighted material.

It was further concluded that profits from copyright infringement though the ads that appear on the site.

co-founder Erik Dubbelboer said in a response: “We are obviously not happy with the verdict.” is considering to appeal the decision, which they have to do within three months

Developing story.

Article from: TorrentFreak, check out our new blog at FreakBits.

UK Pirates Face Disconnection, ISPs Object

August 27th, 2009 by admin

darthmandy UK Pirates Face Disconnection, ISPs ObjectWhen it comes to confusion and contradiction, the UK’s report is in a league of its own. Just days after denying the reports that Lord would be toughening things up when dealing with alleged copyright infractions, it turns out that it’s true. Also, despite assurances last year that the whole process would have a factual basis, that also turns out to be a lie.

It would seem that wherever Peter goes, controversy soon follows. He’s resigned from the British cabinet twice before over allegations of improprieties, so he’s just the sort of person qualified to head up the Department for Business, Enterprise and Regulatory Reform () (or the Department for Business, Innovation and Skills () as it was renamed in June).

The timing is seen as suspicious by some, coming just days after he took a holiday with David Geffen. A government source told The Times “Until the past week had shown little personal interest in the agenda. Suddenly Peter returned from holiday and effectively issued this edict that the regulation needs to be tougher.”

The proposal, released in a statement by the today says that waiting to see how the previous recommendation – of seeing how things were going over the next few years, with technological measures to come into force by 2012 – were going to be too slow. As such, they want to push forward with the measures, even if unnecessary, as they make clear:

Previously, it had been proposed that Ofcom would undergo a detailed process in order to ascertain that technical measures were required. With this approach, the earliest that measures could come into play was during 2012. The Government has now reached the view that, if action was deemed necessary, this might be too long to wait given the pressure put on the creative industries by piracy. The new ideas outlined today would potentially allow action to be taken earlier. (emphasis added)

Of course, if action is NOT deemed necessary, if the facts to back up the claims can’t be found for instance, then much of the legislation requested by the copyright industries will not go ahead. That evidence would be hard to find, since at least two separate examinations of content industry figures have shown little to no impact on box office movie sales, or music sales. This may be why there is the sudden push for the legislation, based again on a claim of need, rather than facts.

The ISPs are up in arms about this as well, with Talktalk’s Andrew Heaney telling the BBC: “Disconnecting alleged offenders will be futile given that it is relatively easy for determined file-sharers to mask their identity or their activity to avoid detection.” They are rightly concerned with disconnecting the wrong people, based either on mis-identification by investigators, or the use of open/inadequately secured wifi spots.

The music industry is enthusiastic though, with the BPI happy. “Digital piracy is a serious problem and a real threat to the UK’s creative industries,” it said in a statement to the BBC, while yet again failing to release any data to back up their claims. “The solution to the piracy problem must be effective, proportionate and dissuasive,” it then says, omitting that these proposals are none of these, just as the 1865 Locomotive Act was not effective, proportionate or dissuasive to the take-up of the personal motor vehicle, or in protecting the railway and equine-based industries from the progress of technology.

Meanwhile, as one commenter indicates in a comment on the site, more people will be joining the UK Pirate Party, although the party currently says it’s experiencing only a slight increase in membership. Its members, however, are livid.

Stephen Timms, minister for also made the following statement: “We’ve been listening carefully to responses to the consultation this far, and it’s become clear there are widespread concerns that the plans as they stand could delay action, impacting unfairly upon rights holders. So we look forward to hearing views on our new ideas, which along with those already received, will help us determine the best way to tackle this complex challenge.”

Clearly he hasn’t been listening to the comments made by 6 million file-sharers in the UK, but there’s no harm in making him more aware. The consultation is open until September. So there’s still time to make your voice heard, but please, keep it civil and factual – even if the Content Industry can’t manage the second.

Article from: TorrentFreak, check out our new blog at FreakBits.

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